Even when a player’s results dramatically improve, it can be difficult to put your finger on what exactly has changed about his or her game. The grips, the strokes, the tactics, the movements, the mannerisms and the facial expressions are likely to look the same as they ever did. And so far that has been the case, at least for this observer, during Grigor Dimitrov’s sudden run of brilliance in 2017.
As of two years ago, the boy once known as Baby Fed had dropped out of the Top 10 and been chalked up by most fans as a lost cause. He was style over substance, a cautionary tale about talent gone to waste; the leader of Generation Soft, a group that appeared destined to spend their careers toiling futilely in the shadows of the Big Four.
Now Dimitrov has won his first 10 matches of 2017, a run that has taken him to his second Grand Slam semifinal (and first since 2014), and includes real-deal Top 20 wins over Kei Nishikori, Milos Raonic, Dominic Thiem, Richard Gasquet and David Goffin. Even for hardened tennis fans, it has been a thrilling ride. Dimitrov, at his best, really does play the same type of appealingly varied and aggressive tennis that has made Federer the most popular player of this era.
What has changed so drastically?
My first observation was a simple and unhelpful one: “The shots that he used to hit out are now all going in.” In Brisbane and now Melbourne, Dimitrov has been setting up for his forehand earlier and hitting it for winners more often. His one-handed backhand, which has often been a shank-riddled liability in the past, has become steadier. And twice at the Aussie, against Denis Istomin and Hyeon Chung, Dimitrov has taken a quick first-set loss in stride and bounced right back to win in four.