The Center Court at the Paris Masters tournament buzzes, literally. I arrived at Le Palais Omnisport de Bercy last Tuesday, late morning. Spectator numbers were sparse, and the sound was the first thing I noticed. Sitting alone in my seat, sans neighbours, I could hear a powerful hum, as though I was inside the bowels of a massive machine. In one of those cult science fiction TV series' I watched as a child, this sound effect might have been used on the flight deck of a spacecraft. It's probably from the generators controlling the heating and lighting in the arena, but it's always there - just more noticeable in the early days of the tournament. At the same time, the lack of bodies on seats meant that there was a thumping echo from the sound of feet in tennis shoes pounding on the wooden floors under the court.
Shortly after arriving, I went to change that day's seat, because it was in the courtside box area at one end of the Center Court, and anyone who sits here is cut off from the action by the presence of a high safety net, presumably there to stop flying balls. It's extremely distracting, though. The players' entourages are also stuck behind a similar net - these are some of the worst seats in the house. Anyone seriously intending to use a camera should definitely avoid them.
Returning to the court, the next thing that struck me was how dim the lighting is, compared to that at the Madrid Masters two weeks ago and the BlackRock Masters last December - and, having taken pictures at all three events, I can confirm that it's not just an impression born of the more cavernous nature of the arena in Paris. Photography there was far more challenging, with measurably less available light indoors. Also, its hue, unlike that in Madrid or at the BlackRock Masters, wasn't even close to being "daylight fluorescent". It's a certainty that the players' eyesight is better than mine, but it's something to which they will have had to adapt - I imagine that the exact nature of the lighting changes week by week during the indoor season.
I'd been to the Paris Masters Series event once before, in 2002, but it was a brief visit. This week, I had far more time to get to know the tournament; In fact, after absorbing the feel of the main arena, I spent much of my first day and and a good part of the second on the other courts. Naturally enough, the management likes to schedule the French players prominently on Center Court in the early days, and this means that some very interesting matches between big-name players take place on Court 1, or even Court 2. All the headcases were out in force there. I watched Jamie and Andy Murray losing in doubles on Court 2, with accompanying groans of self-criticism, and Tommy Haas and Guillermo Canas ably demonstrating their racquet-throwing prowess on Court 1, while respectively defeating Janko Tipsarevic and Andreas Seppi. Canas talked continually - to himself, and at his coach.
These smaller courts in the early days are one of the hidden gems of an event like this. Tennis fans will love them, but they're are not glamorous. Court 2 looks like a school gym - as though it hasn't been repainted for at least a decade, with visible grime marks on the walls behind the functional blue plastic coverings behind the spectators. Court 1 has more seats, including the areas at either end of the court. It also has a standing area that's perfect for photography. In both locations, however, the seating is close to the court, and an added bonus is that for some reason both courts are better lit than Center Court, though the lighting is harsh and unflattering, if you're taking pictures. There are no separate tickets sold for the side courts - once inside the event, it's necessary to queue up for the available spaces there.