The biggest collective laugh in the press room during my stay here erupted today after Rafael Nadal bounced Thomas Berdych out of the Sony Ericsson Open. One intrepid newshound was all wrapped up in his conviction that Nadal hit only two "powerful" backhands during the match, and asked him why.
Jet Boy, like most of the stars, is accustomed to strange and even dumb questions. Yet he doesn't pillory or mock the poor schmoe who's on a mission seeking some bizarre form of celebrity-related validation. He doesn't even roll his eyes. He seems to take the cheerily democratic view that all questions are equal, although you can tell the ones he takes seriously. For those, he sits up straight and thinks; he thinks so conspicuously and seriously that I half-expect one of those little cartoon thought bubbles to appear over his head. But this question about the powerful backhands was not in that category.
"I really don't know," Nadal said, confessing. "I didn't think about this." He paused. "I think I have more backhands, no? But, you know, sometimes it depends of the points. It's difficult say why I'm not touching the ball. It's about your feeling in that moment, no? I don't know."
See Rafa, no good deed goes unpunished. You take a question like that seriously and you to wind up in bizarro world. What's worse, the tone-deaf guy who asked the question pressed on: "Because a lot of times you played the backhand more safe, but you can hit it very powerful, and people talk about how you should play aggressive on hard courts. It's much talked about. That's why, because you can hit the shot, and we'd like to see it more often maybe."
Jet Boy's look said, Okay, I give up! and he looked right at the pressman and deadpanned: "I going to do more times in the final. If you like, I going to do it."
I know I write a lot about Nadal's pressers here, but I can't help myself. The transcripts don't even come close to doing justice to them; for example, where the transcripts say "comparison", the word Nadal really uses is one he made up: "comparation." It's just one example - and I can think of half-a-dozen similar ones - of the properties that lend charm and a touch of whimsy to the proceedings.
Roger Federer's pressers are crisp, on-target and professional. Occasionally there are moments of levity, but on the whole they're like a meeting of the UN World Council on Reducing Erosion in Riparian Corridors. In his interviews, Novak Djokovic tends to make speeches instead of engaging in conversations; of all the top guys, he's the one in gravest danger of referring to himself in the third person. (When I asked him in Indian Wells what luxuries he'd allowed himself now that his material well being was secure, he very sternly warned me that this was a "private" matter. I'm fond of Novak, but if that's his idea of something "private", there's something lacking in that boy's life.) And Andy Roddick pressers can be like certain late-night conversations in a bar; you never know if you're going to share a laugh with the guy - or end up rolling around in the sawdust, fists flying.