Some pros play to win tournaments; Alexandr Dolgopolov, judging by his wildly up-and-down results over the years, plays to stay in tournaments. Whenever the man known as The Dog loses one too many first-round matches, or goes on one too many walkabouts, and sees his ranking slip toward qualifier territory, he has a knack for gathering himself and putting together a run of good form. On the one hand, you can never count Dolgopolov in, no matter how big his lead in a match may be; but you can't write him off, either. After all, this 26-year-old Dog has always had every trick in the tennis book.

Now Dolgopolov is in the middle of another good run. After undergoing knee surgery in 2014, he watched his ranking drop from No. 23 in January of this year to No. 80 by spring, and he lost in the first round at the Australian Open and French Open. The qualies loomed, but they also served as motivation.

In Rome, Dolgopolov qualified and won a round. At Queen’s, he beat Rafael Nadal (before losing, in predictably unpredictable fashion, to Guillermo Garcia-Lopez in the next round). He made the semis in Nottingham, and after winning two rounds each in Washington, D.C. and Montreal, he qualified for the main draw in Cincinnati and grabbed a first-round bye when Kei Nishikori withdrew. Dolgopolov has made the most of his good fortune, becoming the first qualifier to reach the Cincy semis in two decades, and recording his first win in five tries against Tomas Berdych.

In that surprisingly straightforward 6-4, 6-2 victory, Dolgopolov was back in full, idiosyncratic flight. The Ukrainian has always played tennis inside-out, with maximum flair, and, at times, minimal logic. He puts reverse sidespin on his backhand. He leaps into his buggy-whip forehand and brings his racquet over his head like a bolo punch. He floats to the ball casually, but can rocket it off his strings once he’s there. His drop shot may be his most consistent weapon. He has more variety with his two-handed backhand than most players do with their one-handers.

Dolgopolov’s mother was a gymnast, and he virtually takes flight when he serves. Even between points, he walks with a spring in his step, as if his feet are lighter than yours and mine. But as with all natural-born athletes, his easy movement masks the frantic work that makes it possible. After many of his matches, Dolgopolov has to throw away his sneakers, because he has burned a hole in them. On Friday, a TV commentator, watching Dolgo make a seemingly impossible get, exclaimed, “He’s one big, walking fast-twitch muscle!”

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Dog Has Another Day

Dog Has Another Day

Yesterday, against Berdych, Dolgopolov seemed to have added an odd new variation to his exclusive repertoire. When he made contact with his backhand, he threw his head straight up in the air.

“I understand my game pretty well,” Dolgopolov said after beating Nadal last spring. It wasn’t an answer you hear every day from a tennis player, probably because not many pros, especially ones who have been ranked as high as No. 13, are asked if they know what they’re doing out there.

It’s a good thing Dolgopolov has at least a vague notion of what he’s up to, because he hasn’t found anyone else who does. Other than his father, Oleksandr, he’s only had one coach, the laid-back Australian Jack Reader. And he only kept Reader around “because he wasn’t really pushing me or trying to change a lot in my game.” As a child, Dolgopolov traveled the tour with his father, and he inevitably suffered what appeared to be a terminal case of burnout. It seems that he can only thrive by going his own way, and playing to the beat of his own unorthodox drummer.

“Some people have their view on tennis,” Dolgopolov said last year. “They try to make [the player] play the way they want. But for me, I don’t think that’s the best decision.”

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Dog Has Another Day

Dog Has Another Day

On Saturday, Dolgopolov will walk out for his first Masters semifinal since Indian Wells in 2014, and he’ll do it against Novak Djokovic. He's 0-4 against the world No. 1, but Dolgo led him by a set and a break in Miami this year, and at the U.S. Open in 2011, the two engaged in one of the most entertaining tiebreakers of all time, which Djokovic won 16-14.

The crowd in Louis Armstrong Stadium was on its feet that day, as Djokovic and Dolgopolov ran each all over the court in a shotmaking display for the ages. But over the past year Dolgopolov has become something less of a fan favorite, at least among those who follow him on Instagram. There, last fall, he angered many when he said that a Eurovision singer’s drag stage persona was “not normal and natural for me, and that’s not going to change, no matter what anybody says.”

The ATP called the statement “regrettable.” It's true: Dolgopolov's one-of-a-kind game is an argument, in its way, for individuality and difference. If anyone understands their value and benefits, it should be him.