MELBOURNE—Over the the past few years here, two Australian men have staged perhaps the most prolonged changing of the guard in tennis history. One night Lleyton Hewitt, now 31, makes his reluctant, defiant exit from Rod Laver Arena; the next night an equally hesitant yet willful Bernard Tomic walks in the door. We’ve reached that stage of the Aussie Open again today. Will it prove a more permanent historic shift this time? Will Tomic finally take the baton from Hewitt? Only the next 12 months will tell us that.
For today, there’s no question of who the local papers consider the future, and present, of Australian tennis. Where sports columns were once filled with far-reaching analyses of Hewitt’s family and class background—his dad’s mullet was a subject of at least one—they’re now all Bernie, all the time. He is, as they say here, the Human Headline.
But if the pundits have agreed that Tomic is the future, they’ve yet to decide on whether they like it—presumably the Australian public is going through the same stages of denial and acceptance as we speak. You can see the continuum of opinion on Tomic from one paper to the next. All of them catch some of the truth of this opaque prodigy.
In the *Herald Sun*, Leo Schlink is suspicious of Tomic’s elusive nature. He senses phoniness. “The owner of a yellow Ferrari F430 Spider with the number plate “Sincity,” part-time resident of Monte Carlo and sometime resident of the Top 50, Tomic is mostly indefinable. If there is consensus over Tomic, it is this: talented, interesting, unconvincing.”
In *The Age,* Linda Pearce takes on the role of an exasperated parent. “There’s a lot about Bernard Tomic that screams ‘young man still finding his way,’ and plenty more that says, ‘yes, but really, Bernie?’”
Another Age columnist, Richard Hinds, compares Tomic not to Hewitt but to his talented, much-scorned Davis Cup teammate Mark Philippoussis.
“Like Philippoussis,” Hinds writes, “both Tomic’s work ethic and appetite for the contest have been questioned...The comparison invites the unspoken question about Tomic—his ethnicity. In a country sadly less at ease with it multicultural makeup than it was 15 years ago, even being asked to tackle the pronunciation of a Balkan surname—it is ‘ic’ not ‘itch’—fuels the prejudice of some. Particularly those who invoke the ugly and divisive term ‘un-Australian’ to chastise Tomic for his lack of Hewitte-esque fight. The presence of Tomic’s strong-willed father John perpetuates the ethnic stereotype—à la Philippoussis and Jelena Dokic.”
Finally, in The Age’s op-ed section, Shane Green takes the opposite tack from Hinds. He’s openly nostalgic for the days of Aussie tennis pride and class. He compares Tomic to another outsider who was brought into that world:
“For me, Evonne Goolagong captured the very essence of Australian sport, and particularly that golden era of tennis upon which the nation built part of its identity: world-beating, with character. As we approach the Australian Open, we hunger for Australian success. The great hope is Bernard Tomic. For all of his raw talent, it has been impossible to warm to him, given his rocky and unpredictable behavior. There is a running debate over what we should expext from our elite sportspeople, and whether they should be role models. So what if Tomic is a bad boy? Does it matter, particularly if he wins? Well, yes, it does. For me, there is an unwritten contract between elite sportspeople and the public that supports them. Their behavior matters. Watch enough junior sport and the trickle down effect is evident.”
I wrote a couple of days ago that tennis occupies a more prominent place in Australian culture than it does in the United States. Green explains why above: The pride that this nation of just 22 million took in dominating an international game for so long, as well as the standards of sportsmanship set by its Harry Hopman-trained stars of the amateur 1950s and 1960s. Unfortunately, Australian tennis stars will always be judged in comparison to those gentlemanly Gods. Most of the professional-era players who have come since—including Hewitt, Philippoussis, Pat Cash, and now Tomic—have been found wanting, either in work ethic or politeness.