As a kid, I would hit against a wall in a nearby park and pretend that I was on Centre Court. It was always the fifth set of the Wimbledon final, and while I don’t remember who I was playing, I do remember that the score was remarkably similar every time. Usually it was 9-7 in the fifth; something about those numbers had just the right ring of history and exhaustion. If I was in a more imaginative mood, and not as tired, I might string my poor doomed opponent all the way to 11-all before taking the last two games and accepting a standing ovation from the crowd. There are plenty of arguments for fifth-set tiebreakers, but one thing they don’t do is speak to a kid’s imagination in quite the same way as a set that's played all the way out. It wouldn’t be nearly as fun to spend two hours hitting against a wall if the final score in your head always had to be 7-6.
But there are limits to the imagination, even for a daydreaming 12-year-old. Mine never got anywhere near 70-68; that would have been a joke, a science-fiction number, a college basketball score. But while there was something surreal about the way John Isner and Nicolas Mahut reached that number over the last two days—after a certain point, every time the chair umpire called the score, a laugh of disbelief went up from the stands—it wasn’t a complete surprise. At 6-all, seeing how easily each guy was holding, I began to wonder if the match would ever end. Seriously. I couldn’t see either of them finding a way to break. Their serves were too good, and their return games—Mahut with his one-handed backhand, Isner with his restricted side-to-side movement—were too mediocre.
Both of those things stayed true for 138 games. Isner-Mahut was an epic, a jaw-dropper, a match that will be spread across multiple pages in the record books for years. Most of all it was a testament to the will of these two particular players. Was it enjoyable to watch? Well, yes and no. Point by point there wasn’t a whole lot there most of the time, unless you’re an ace fanatic. But game by game you couldn’t really turn away. It was a high wire act, in which neither guy seemed in any danger of falling off—that may not make for spine-tingling entertainment, but in a way that made the feat even more impressive. The spectacle wasn’t in the points themselves, but in the ability of both players to avoid the slightest letdown for eight hours. Even Roger Federer said he was speechless when he shook Isner’s hand afterward.
Did this match represent or crystallize any kind of trends in tennis? To me, it was the product of a few long-running developments. Height, for one, and the evolution of the tall player into more than just a serve. Isner, as you know, is 6-foot-9, but did you realize that Mahut, who looked tiny next to his opponent, is 6-foot-3? Yes, Isner hit 112 aces—I thought Ivo Karlovic’s record 78 from last year might stand forever—but at crucial moments, just when he seemed ready to keel over, he could also step around and belt a perfectly placed inside-out forehand from one corner to the other. And after all those aces, Isner finally won it with two pinpoint passing shots, the first of which he short-hopped off the baseline.
The other, more general trend that Isner-Mahut exemplified was the quality of play you can see from the second-tier of men's tennis now. The sport has evolved to a point where a first-round match between two guys well outside the Top 10 dwarfs the level of shot-making that we saw in the most dramatic finals of 30 years ago. Racquet technology, fitness training, stroke evolution, worldwide competition: After three decades, they’ve produced an individual like Roger Federer at the top end, and over the last three days they gave us a match where two players were good enough, when they took the ball to serve, to be unbeatable for a period of 11 hours. This was a match where the loser could hit 103 aces and, after 100 games, still have the energy to dive across the grass. This was a match where the winner could stagger around in a daze for four hours, whiff on several balls, and still have the stroke-making proficiency to go for dozens of games without facing a single break point. This was the modern game, with all of its power and skill, going up against itself. The shots that were once the province of the best—the forehand winner from behind the baseline, the ripped one-handed backhand down the line—are now routine, and can be repeated for hours.