Born 79 years ago on Christmas Day in Algiers, Algeria, French tennis star Francoise “Frankie” Durr built a tremendous tennis career, crafting a playing style based on tactical acuity that included more than a few traces of technical idiosyncrasy.
Most notably, Durr’s right index finger pointed its way up the racquet handle for her backhand. “Later, when I had a coach, he tried to correct this – but it was too late to change,” Durr said in a 2020 WTA website story written by Adam Lincoln. “I could not feel the ball on the racquet, so I kept the same grip, even though it meant I would practically kneel or even sit on the court to hit some shots! My backhand, with a bent wrist, was one of my best shots since no one could read where the shot would go.”
Added to this was a deft touch in all parts of the court, including pinpoint volleys, unfailing lobs and deft drop shots. As Durr’s fellow Hall of Famer, Rosie Casals, once said, “She drove us crazy with her unorthodoxy.”
Inducted into the International Tennis Hall of Fame in 2003, Durr’s resume includes 12 Grand Slam titles – the singles at Roland Garros in 1967, as well as six women’s doubles titles and five in mixed. Between 1966 and ’76, Durr finished the year in the world’s Top 10 nine times, reaching a career-high ranking of No.3 in ’67. All told, she won 26 singles and 60 doubles titles.
Durr’s penchant for the unconventional also surfaced in two groundbreaking choices she made. In April 1968, just as tennis’ Open era was arriving, Durr signed a two-year, $40,000 contract. Alongside Casals, Billie Jean King and Ann Jones and six top male players, Durr was part of the National Tennis League, a group of professionals that played a series of one-night events all over the world. The contract called for ten months a year of matches. It was a demanding and often sleepless way to earn a living, but in large part laid the groundwork for what was to come – and yet another major Durr decision.