Mac 77 (2)

John Patrick McEnroe, Jr., turns 53 today. There was a brief period—or maybe it was a single year, 1984—when he was widely considered the greatest tennis player of all time. He’s not at, or even all that near, the top of that list anymore, mainly because he never won another Grand Slam after ’84. But that doesn’t mean his game itself is any less revered than it was. McEnroe’s unique talent, with its instinctive mix of the delicate and the vicious, remains a kind of outlier in tennis history—incomparable. While that game didn’t keep him at the top of the sport past age 25, it shouldn’t be surprising that it has made him one of the great 40-and-over, and now 50-and-over, players in history.

McEnroe may not be the Goat, but he has been the sport’s most visible personality for the last three decades. In the early 80s, in the heyday of Johnny Mac, I can remember walking back from the tennis courts through the streets of my town, with a single wooden Wilson Pro Staff in my left hand. An older gentleman, sitting on his front stoop with a friend, said, as I somehow knew he was going to say, “Hey, McEnroe.” What I didn’t expect was that people would still be saying the same thing 30 years later. A couple of summers ago, I was late getting across a street in Brooklyn and a truck had to slow down to let me pass. I had my tennis racquet bag slung over my shoulder, so naturally, the driver yelled out as he passed, “Move it, McEnroe!” Not move it, Federer, or Rafa, or Sampras, or Agassi, or Borg. Move it, McEnroe. Twenty years after you’ve retired and you’re still the de facto name for all people carrying tennis racquets in the streets of America. That’s fame.

Here are a few of the moments that made Johnny Mac’s name.

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These are a few Mac-centered highlights of his 1977 Wimbledon semifinal against Jimmy Connors (at the top of the post is an 18-year-old McEnroe arriving at Heathrow to play the tournament). It was their first match, and the first time they'd met. Connors being Connors, he wouldn't even look at Mac in the locker room when the kid tried to introduce himself—McEnroe said the match was over then and there, before he even walked on the court. But judging from this clip, he did get a chance to show off a lot of what he could do. That included a deft drop shot, a perfect lob hit with no backswing or follow-through, a sharp backhand pass, and some scary-quick hands at net. Connors, for one, recognized the talent. Soon after, he was asked how good McEnroe could get. Jimbo said, "All I know is that I don't want to be around to find out." Unfortunately, he was, and then some. McEnroe would beat him 20 times.

Notes: McEnroe is wearing his hero Bjorn Borg's Fila shirt and a similar headband, but has yet to match them with his famous Nike sneakers. That didn't take long; Phil Knight was in the audience at that year's Wimbledon, and he liked what he saw.

The chair umpire mispronounces his name: Ma-KEN-roe.

He has yet to develop his broken-toy service motion. That would come the next year; it helped with his back problems at the time.

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McEnroe ending Borg's five-year reign at Wimbledon and keeping his own head from exploding in the process—though his hair does look like it might stand on end after the last point. I had forgotten that he breaks Borg for the title, and that his last volley looks like a slight mishit, but it curls in.

What's interesting now is the silence of the trophy ceremony; no speeches then, no words at all. In a way, Borg steals the show for me. He looks hollow-eyed and haggard, until he lifts the second-place ring in the air with a smile. A dignified gesture, of defeat and relief.

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I've linked to this one, from William Klein's 1981 documentary The French, a few times before, but I keep going back to it, because it does the best job of capturing the depressing beauty of McEnroe and his game at his most tortured. I love how the camera makes you feel his acceleration and footwork as he moves into the net. I don't normally think of the "genius" McEnroe being so aggressively athletic.

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Another one we've seen here in the past, but what would a celebration of John McEnroe be without a tantrum or two, set to a lulling cover of "Silence is Golden"?

My favorite moment in all of McEnrovia: When the aged umpire at Wimbledon in 1980 rises up and intones: "Mr. McEnroe, you are getting a public warning!" And then McEnroe walks back and fires an ace to end the game.

It was the first "public warning," whatever that may be, in the history of Wimbledon. It wouldn't be Johhny Mac's last.