A winner in straights, Djokovic leaves us more questions than answers

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Novak Djokovic's 6-3, 6-4, 6-4 win over Rogerio Dutra Silva was hardly clinical. (Getty Images)

PARIS—Prior to today, Novak Djokovic’s last match at Roland Garros was one he’d prefer to forget but likely never will. As title holder, Djokovic made his way to the quarters, at which stage he was dismantled by Dominic Thiem, 7-6, 6-3, 6-0. The final set was abysmal, Djokovic winning a mere eight points over the course of 20 of the most desultory minutes you’ll ever see in professional tennis.

Given Djokovic’s continued struggles—a title-free 2018 and a 10-7 match record—it was intriguing to see how he would perform in his Roland Garros opener.

The opponent was Rogerio Dutra Silva. A 134th-ranked qualifier from Brazil, Dutra Silva is armed with a splatter-like topspin forehand, an intermittently dazzling one-handed backhand and a willingness to come to net mostly to shake hands. The only previous meeting between these two had come more than five years ago, Djokovic disposing of Dutra Silva in the second round of the 2012 US Open, 6-2, 6-1, 6-2.

The phrase “that was then, this is now” enters the conversation. How it works in tennis is that the best players are pace bunnies. Set the tone. Raise the bar. Define the standards. Call it what you wish, but over the course of this decade, Djokovic has defined excellence in a highly accessible manner. Rafael Nadal and Roger Federer are super-geniuses and singular embodiments, respectively, of will and skill—qualities each displays so richly that even people who wouldn’t know pronation from super-nation identify with each.  Ditto likely for their peers, often more awe-struck witnesses than clinical participants.         

But Djokovic’s success has always been more about craft than art. His is the technique you would show an aspiring player, his game based on such quotidian and teachable fundamentals as balance, footwork, posture and smooth, repeatable swing patterns. Djokovic is in many ways a 21st-century version of another highly disciplined, baseline-based all-timer, Chris Evert.   

Dutra Silva was just one of dozens on the ATP World Tour who had been gradually bludgeoned and educated by Djokovic’s sustained excellence. He’d also studied it and learned what was required to compete more effectively versus the Serb. And Dutra Silva was also aware that Djokovic's champion’s aura had long been peeled away. Where once upon a time a player of Dutra Silva’s level—a career-high ranking of No. 63—would have been intimidated by Djokovic before even walking on the court, on this day he might well have felt liberated enough to cease playing the resume and instead simply take what the ball gave him. Dutra Silva, said Djokovic, is “a specialist in clay, plays a lot of energy. He's a big fighter.”

And yet, for all the newfound confidence and possibilities Dutra Silva brought to this occasion, much of the match was in Djokovic’s hands. Even when Dutra Silva went up 2-0 in each of the first two sets, Djokovic broke back each time, with a blend of penetrating forehands and backhands that have earned him 12 Grand Slam titles. In the first set, with Dutra Silva serving at 3-4, Djokovic won the first two points with a backhand winner and an inside-out forehand, in time breaking at love. A deft crosscourt backhand passing shot closed out the set, 6-3. 

Dutra Silva needed to red-line; that is, to push his pace, depth and intermittent grunt to the limit. His backhand had its moments, a few lashed forcefully enough to conjure up memories of both Thiem’s efforts in 2017 and the other one-hander who’d beaten Djokovic on this court in the 2015 final, Stan Wawrinka. But Dutra Silva’s ground game was less thunder than sprinkle. And so when Djokovic served up two sets to love and 4-3, the end seemed near.

Not quite. Dutra Silva broke back for 4-all and then went ahead 30-love. Such lapses had bedeviled Djokovic ever since he’d won Roland Garros in 2016. To have this happen in the first round of a major hardly inspired confidence. At the age of 31, Djokovic had apparently reached the stage where nothing could come easy. Certainly he’d been buoyed by his recent run to the semis in Rome, the first time Djokovic had gone that far all year. Said Djokovic, “And so being here and thinking about the tournaments that I had on clay, the best performance came at the right time in Rome just before Paris.” 

Djokovic was also excited to have brought his former longstanding coach, Marian Vajda, back into the mix.  “It's great to have him back,” said Djokovic. “I'm always saying that he's a friend, he's family, he's someone that I can rely on privately, and I shared many beautiful moments and difficult moments with him.”

But the match versus Dutra Silva was far from precious or an aesthetic delight. Fortunately for Djokovic, Dutra Silva was the one compelled to try for more, a strategy that is often both necessary and fatal for an underdog. Serving at 4-all, deuce, Dutra Silva struck a double-fault and then missed a benign forehand to hand Djokovic the break. Having already surrendered one late stage break, Djokovic buckled down this time, taking the first three points and at last closing it out at 15.

On this Monday, it was the kind of start to the workweek many of us have: virtually impossible to be great, but good enough to advance.   


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