
Shot Making: Inside the 14-frames-per-second world of professional tennis photography
The dugout at the south end of Arthur Ashe Stadium was overflowing, but a tense silence reigned inside. A swarm of photographers had squeezed themselves, and the prodigiously long, 12-pound cameras they were hauling, into this small, dark, low-ceilinged room. There they jostled for a view of the court, where