EASTBOURNE, England—“Tennis is a perfect combination of violent action taking place in an atmosphere of total tranquility.”—Billie Jean King
You would think that an intimate location like this one, where you can watch the players unimpeded from two feet away, would be an ideal place to appreciate the artistry of tennis. And it is. More than anything else, what I’m reminded from a technique perspective at Eastbourne is how much better, smoother, cleaner the average pro’s swing looks like from up close. Fernando Verdasco’s lunging forehand return; Su-Wei Hsieh’s strange but mostly true two-handed forehand; Bernard Tomic’s flatter than necessary forehand: There’s a beauty, or at the very least an impressive level of skill, to virtually everything at this level.
But artistry is only half of the dynamic that brings the sport to life, that gives it its meaning and kick. The other half is confrontation. Artistry and confrontation: These two polar opposites exist, in tension with each other, on every court. Together they make tennis, as Billie Jean King memorably put it in the quote at the top of this article, a sport whose vicious nature is masked by its tranquil surface.
“Tranquility” doesn’t get much more total than at Devonshire Park in Eastbourne, where the loudest and wildest living things are the seagulls that wheel and shriek overhead. Rather than push forward to get as close to the players as possible, fans here are content to sit back a few feet on benches and eat the local dairy ice cream.
Yet even here, within the confines of the court, there’s a sense of barely repressed violence, both physical and emotional. The worlds of player and fan, while they exist right next to each other, never overlap. The fences around the side courts stand just knee high at Eastbourne, yet they divide one psychological universe from another. It’s impossible, while you’re standing on the sidelines casually observing, to put yourself in the desperate mindset of a player.
Tennis in this sense is a revelation of character. A player must walk on court with his or her total self; nothing can be left behind in competition. What are the emotions that each player reveals, when there’s nowhere to hide? One thing is certain: Even in the relaxing atmosphere of a place like Eastbourne, there’s no such thing as a relaxed tennis match. Here’s a taste of the emotional violence I’ve watched from my perch of total tranquility the last three days here. It came, as it always does in tennis, in all languages.