Paris —It was an old-fashioned knock-down, drag-out brawl in the red dirt on a bluebird day between two flawed players on one of the world’s most well-conceived tennis courts. It lasted only three sets and a modest two hours and 14 minutes, and when it was over Dusan Lajovic, the pride of Stara Pazova, Serbia, was in the fourth round of the French Open thanks to his 6-4, 7-5, 6-3 win over Jack Sock.
Not bad for a baby-faced, slope-shouldered, 23-year old who had never won back-to-back main-draw matches before this tournament. Not at a Grand Slam. Not at a tour-level event, anywhere. This was just Lajovic’s second appearance in the main draw of a major (he lost to Kei Nishikori in the second round of the Australian Open in January).
By contrast, the 21-year-old Sock seemed a grizzled veteran despite his age.
But little separated these two men in the rankings (Sock is No. 75, Lajovic is ranked 83rd), and Lajovic had brought along the Serbian Shock and Awe Cheering Section (SSAACS) on a court where you don’t need a megaphone to make your voice heard. Folks who are prepared to cheer themselves hoarse are usually relegated to the upper rim of the tennis bowls of this world, but that’s one of the great things about Court 7 at Roland Garros. Hey, nobody said democracy is always pretty.
My work station in the Roland Garros press work room, which is built into the side of the Court Philippe Chatrier, is near windows that overlook the Suzanne Lenglen walkway, beyond which lies Court 7. Sit here for a few days and you realize that while the muffled roar that shakes Chatrier when the spectators are adequately engaged is awe-inspiring, the folks who are really having fun are out on Court 7. At intervals during the day you can hear them singing. . .chanting. . . bellowing “ole!” as the wave goes round and round.
The capacity on Court 7 is a meager 1,559, but over time the tournament promoters must have come to realize that it’s a special place in a way the bunker-like Courts 2 or 3 are not. Perhaps it’s the open-air intimacy of the place. Whatever the reason, an inordinate number of intriguing matches are scheduled on this court.